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However, according to the official tour itinerary, June 17th is marked as a day off, and no concert occurred on the 17th. Put it this way, I doubt there's ever been a live album in the history of pop music that hasn't been touched up here and there.īONG magazine issue #2 from April/May 1988 reported that a concert at this venue was also planned for June 17th. Is it true that on the '101' album, some of Dave's vocals were re-recorded in the studio? Alan Wilder was asked whether vocals were touched up for the release and answered on Shunt Q&A: The official "101" release had a fair amount of vocals re-recorded, which is somewhat obvious when comparing the official release to the audience recording mentioned previously. 90 second samples of Emmett's audience recording were once provided here, but have been taken down to help avoid any potential legal issues after recommendation by the band's archivist. Any audience recording of Depeche Mode from this date cannot be shared on this wiki or DIME since it is an alternative recording of officially released content. The second tape containing the rest of the recording is unfortunately missing. In the documentary, Jonathan Kessler can be heard saying that with this concert they sold 66,233 tickets and the paid attendance was 60,452 people, and they grossed $1,360,192.50.Ī first-generation audience recording of the first half of the set (up to and including The Things You Said) recorded by dmlive2k (Emmett C.) is currently circulating, but any FLAC version you currently find is a transcode of a 112kbps MP3 version of the recording. A documentary and double live album, 101, was released of the concert. There's enough intrigue to keep you watching but sadly it's all in vain as things don't get much clearer by the end.Depeche Mode's famous 101st and final concert of the 1987-1988 Music For The Masses Tour at the Rose Bowl in Pasadena. Jim Sturgess's performance as Keith Talent is painful to watch: massively over-acted and forced. The writer and director add layers of complexity that seem just there for complexity sake as they don't add anything to the movie. However, the wheels come off after a while. With the style and the English gangster setting it initially feels like a cross between a Guy Ritchie film and a Frank Miller graphic novel. The plot is initially very intriguing and the atmosphere is dark and stylish, sort of neo noirish. A clairvoyant, she has premonitions of her own death, at the hands of one of the three men she is involved with. She is playing a dangerous game, dating a small-time (married) gangster and a wealthy businessman in an effort to con them both. Reviewed by grantss 5 / 10 Stylish but unfocussedĪn American writer arrives in London where he meets Nicola Six, a beautiful woman who soon becomes his muse. This is a mess waiting for the reveal which I don't care about with characters that are not compelling. With the darts playing, it reminds me of The Big Lebowski but in a bad way. Finally, there is Jim Sturgess contorting his face unnaturally beyond camp. She's a sex robot bending to each male's fantasy. She is a surreal fake creation of the male libido.
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She is a figment of Samson's imagination. In addition, Amber Heard is nothing but sex. It makes everything in the movie unreliable. Next, Samson Young is an unreliable narrator. The Enola Gay makes Guy look stupid or is the writing stupid? Or is the writer's expectations of the audience is too low? At least, the story could be about Bockscar and Fat Man. I like a few of the surreal touches but dislike a whole lot more other ones. She lives above Samson and is a character in the story he's writing. In that moment, she realizes that she has seen her eventual murderer. The clairvoyant femme fatale can see the deaths of people. Struggling writer Samson Young (Billy Bob Thornton), sleazy darts player Keith Talent (Jim Sturgess), and well dressed man Guy Clinch (Theo James) are in a dive bar when Nicola Six (Amber Heard) walks in dressed in sexy mourning.